Venice Biennale: An Artistic Institution
Bringing the world together through the visual arts has been the foundation upon which the Venice Biennale has built itself. The Biennale has unyieldingly created a new environment that has integrated globalization as well as organized a playground for worldwide artists to individualize themselves and represent their countries in their own creative interpretation. Since the show’s founding in 1895, the Biennale has remained a blank canvas for social, economic, political, and historical influences for nation’s artists to paint the issues faced by their respective countries and to recognize the impact of avant-garde art. An interlacing unit of bonds keeps the Biennale deeply rooted to this Italian city, which consist of particular themes and traditions that have created an extraordinary temporary environment for artists from all over the world. It is an event that brings in globalization, cultural exchange, and competition into one location. Though the ideals of the institution have been remarkably quite consistent, there have been shifts within the inter-workings of how they are maintained. Exploring the macrocosm allows one to see how even though this exhibition is expected to join countries and people, it still forces them to be separated. From researching into past exhibitions to looking forward to future exhibitions, a better understanding of the dichotomy between the boning of individualization and integration within the Biennale establishes it as the remarkable artistic institution it has become and will continue to be.