Titian’s Venetian Venuses Bibliography

Primary Sources

Aretino, Pietro. The Works of Aretino. Translated by Samuel Putnam, Franz von Bayros, and Francesca De Sanctis. New York: Covici-Friede, 1933.

Murphy, Trevor M. Pliny the Elder’s Natural History: the Empire in the Encyclopedia. New York: Oxford University Press, 2004.

Ovid. Ovid’s Metamorphosis: The Arthur Golding Translation. Philadelphia: Dry Books,2000.

Petrarch, The Poetry of Petrarch. Translated by David Young. New York: Ferrar, Straaus and Giroux, 2004.

Pliny the Elder, Natural History. Translated by John f. Healy. London: Penguin Books, 1991.

Ridolfi, Carlo. The Life of Titian. eds.Julia Conaway Bondanella, Peter Bondanella, Bruce Cole, and Jody Robin Shiffman, trans. Julia Conaway Bondanella and Peter Bondanella. University Park, PA: Pennsylvania State University Press, 1996.

Roskill, Mark W. Dolce’s ‘Artetino’ and Veneitan Art Theory of the Cinquecento. New York: New York University Press, 1968.

Rogers, Mary and Paola Tinagli eds. Women in Italy, 1350-1650: Ideals and Realities, a Sourcebook. New York: Manchester University Press, 2005.

Vasari, Giorgio. The Lives of the Artists. Translated with an introduction and notes by Julia Conway Bondanella and Peter Bondanella. New York: Oxford University Press 1991.

Secondary Sources:

Biadene, Susanna and Mary Yakush eds. Titian: Prince of Painters exh. cat. Venice: Marsilio Editori, 1990.

Brown, Judith C., and Robert C. Davis. Gender and Society in Renaissance Italy. London: Longman, 1998.

Bull, Malcolm. “Venus” Mirror of the Gods, 182- 222. New York: Oxford University Press, 2005.

Cheney, Liana de Girolami. “Vasari’s Interpretation of Female Beauty.” Concepts of Beauty in Renaissance Art, eds. Francis Ames-Lewis and Mary Rogers, 179-190. Brookfield, Vermont: Ashgate Publishing Company, 1998.

Cole, Bruce. Titian and Venetian Painting, 1450-1590. Boulder: Westview, 1999.

Cropper, Elizabeth. “On Beautiful Women, Parmigianino, Petrarchismo, and the Vernacular Style”. Art Bulletin 58, no. 3 (Sep. 1976): 374-394. http://www.jstor.org (accessed October, 11, 2008).

Fermor, Sharon. “Movement in Gender in Sixteenth Century Italian Painting.” In The Body Imaged: The Human Form and Visual Culture Since the Renaissance, ed. Kathleen Adler and Marcia Pointon, 129-145. New York” Cambridge University Press, 1993.

Goffen, Rona, ed. Titian’s “Venus of Urbino”. New York: Cambridge University Press, 1997.

Goffen, Rona. “Titian’s Sacred and Profane Love and Marriage.” The Expanding Discourse: Feminism and Art History. eds. Norma Broude and Mary D. Garrard, 110-125, New York: Westview Press, 1992.

______. Titian’s Women. New Haven and London, 1997.

Goldfarb, Hilliard T., David Freedberg, and Manuela B. Mena Marqués. Titian and Rubens: Power, Politics, and Style. Boston: Isabella Stewart Gardner Museum, 1998.

Jacobs, Fredrika H. “Aretino and Michelangelo, Dolce and Titian: Femmina, Masculo, Grazia”. Art Bulletin 82, no. 1 (Mar. 2000): 51-67. http://www.jstor.org (accessed November 2, 2008).

Meilman, Patricia, ed. The Cambridge Companion to Titian. Cambridge: Cambridge University Press, 2004.

Pardo, Mary. “Artifice as Seduction in Titian.” In Sexuality and Gender in Early Modern Europe: Institutions, Texts, Images. ed. James Grantham Turner, 55-89 London: Cambridge University Press, 1993.

Pope, Arthur. Titian’s “Rape of Europa”: A Study of the Composition and the Mode of Representation in This and Related Paintings. Cambridge MA: Harvard University Press, 1960.

Prater, Andreas. Venus at Her Mirror: Velazquez and the Art of Nude Painting. London: Prestel Verlag, 2002.

Rogers, Mary. “Reading the Female Body in Venetian Renaissance Art.” In New Interpretations of Venetian Renaissance Painting, ed. Franis Ames-Lewis, 77-90. London: Birkbeck College, University of London, Dept. of History of Art ,1994.

Tinagli, Paola. “Female Nudes in Renaissance Art”. Women in Italian Renaissance Art: Gender, Representation, Identity, 121-154. New York: Manchester University Press, 1997.

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