Titian: Altarpieces Bibliography

Titian Madonna di Ca’ Pesaro detail

BIBLIOGRAPHY

The Holy Bible, King James Version. New York: American Bible Society: 1999.

Brilliant, Richard. Portraiture. Cambridge: Harvard University Press, 1991.

Brown, Patricia Fortini. Art and Life in Renaissance Venice. New Jersey: Prentice Hall, 1997.

Cole, Bruce. Titian and Venetian Painting 1450-1590. Boulder: Westview Press, 1999.

Crowe, J.A. and G.B. Cavalcaselle. The Life and Times of Titian. London: 1881

Dunning, William V. Changing Images of Pictorial Space: A History of Spatial Illusion in Painting. Syracuse University Press: 1991.

Freedman, Luba. Titian’s Portraits Through Aretino’s Lens. University Park: The Pennsylvania State University Press, 1953.

Gilbert, Creighton. “Some Findings on Early Works of Titian.” The Art Bulletin 62 (1980).

Goffen, Rona. Titian’s Women. New Haven & London: Yale University Press, 1997.

Goffen, Rona. Piety and Patronage in Renaissance Venice. New Haven & London: Yale University Press, 1986.

Hirn, Yrjo. The Sacred Shrine; A Study of the Poetry and Art of the Catholic Church. Boston: Beacon Press, 1957

Hood, William, and Charles Hope. “Titian’s Vatican Altarpiece and the Pictures Underneath. “The Art Bulletin 59 (Dec., 1977): 534-552.

Hope, Charles, and David Jaffe. Titian. London: National Gallery, 2003.

Howard, Deborah, The Architectural History of Venice, New York: Holmes & Meier Publishers, Inc. 1981.

Humphrey, Peter. The Altarpiece in Renaissance Venice. New Haven: Yale University Press, 1993.

Norbert Huse, Wolfgang Wolters, Edmund Jephcott Translated by Edmund Jephcott. The Art of Renaissance Venice. Chicago: University of Chicago Press, 1993.

Joannides, Paul. Titian to 1518: the assumption of genius. New Haven: Yale University Press. 2001.

Meilman, Patricia. Titian and the Altarpiece in Renaissance Venice. New York: Cambridge University Press, 2000.

Muir, Edward. Civic Ritual in Renaissance Venice. Princeton: Princeton University Press, 1981.

Panofsky, Erwin. Problems in Titian, mostly iconographic. New York: New York University Press, 1969.

Pedrocco, Filippo. The Art of Venice From Its Origins to 1797. Florence: Scala, 2002.

Pedrocco, Filippo. Titian. New York: Rizzoli, 2000.

Rosand, David. The Franklin D. Murphy Lectures VIII: The Meaning of the Mark: Leonardo and Titian. Kansas, 1988.

Rosand, David. Painting in the Cinquecento Venice: Titian, Veronese, Tintoretto. New Haven, 1982.

Rosand, David. Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto, Revised Edition,. New Haven, 1982.

Rosand, David. “Titian in the Frari.” The Art Bulletin 53 (June, 1971): 196-213.

Rosand, David. “Titian’s Saint Sebastians.” Artibus et Historaie 30 (1994): 23-39.

Rosand, David. “Titian’s Light as Form and Symbol.” The Art Bulletin 57 (March, 1975): 58-64.

Roskill, Mark, ed. Dolce’s Aretino and Venetian Art Theory of the Cinquecento. Toronto: University of Toronto Press, 2000.

Tietze, Hans. Titian: The Paintings and Drawings With Three Hundred Illustrations. New York: Phaidon Publishers, 1950.

Wethey, Harold E. The Paintings of Titian 1: The Religious Paintings. New York: Phaidon Press Ltd, 1969.

Return to title page

Leave a response

Your response:

css.php